06 January 2025 | FMTV701 Contextual Studies: Screen, Culture & Society | Critical Research | 5211 words
In recent years, nostalgia has emerged as a potent force in media marketing, particularly in television and online streaming. The term ‘nostalgia’ evokes a bittersweet emotion of sentimental longing for the past, blending a yearning for familiar, cherished memories with a subtle touch of sadness. In the field of psychology, nostalgia occupies a distinctive space, offering profound insights into the human condition. Studies indicate that nostalgic feelings can improve mood, strengthen social bonds, and provide a sense of stability and continuity amid life's inevitable changes (Routledge, 2015). While nostalgia is often linked to personal experiences, it also plays a significant role in shaping our collective identity, especially through shared media consumption. Nostalgia taps into deeply emotional memories that allow audiences to reconnect with experiences, feelings, and cultural touchstones from their younger years. In the world of television, this emotional appeal has proven to be an incredibly effective marketing strategy, drawing audiences back to the shows, characters, and formats they once loved.
As described by philosopher Alain Finkielkraut (2005), the feeling of nostalgia offers an ‘essentialising, narcissistic, and metaphysical view of history,’ elevating the past into an idealised image that is more imagined than real. This idealisation, however, wields considerable power over our present-day choices, particularly when it comes to media consumption. As adults, our engagement with media is often shaped by these nostalgic impulses. The television shows we watched as children and the music that accompanied our early years not only influence our current preferences but also set expectations for new content. This is evident in the widespread appeal of remakes, reboots, and nostalgia-driven marketing, where familiar narratives and characters provide comfort in an increasingly fast-paced and uncertain world.
However, while nostalgia can foster emotional engagement and brand loyalty, it has also drawn criticism for its potential to stifle creativity and oversaturate the market with recycled content. By prioritising reboots and revivals, media creators risk sidelining original ideas in favor of safer, more commercially viable projects. This over-reliance on nostalgic material can lead to creative stagnation, with studios and streaming platforms recycling beloved narratives rather than investing in innovative storytelling. Additionally, audiences may experience nostalgia fatigue, where repeated attempts to rekindle the past result in diminishing emotional returns. The balance between revisiting the familiar and embracing new ideas remains a critical challenge for the media industry.
This essay argues that nostalgia is a powerful force in contemporary media, shaping adult viewing habits through emotional connections to childhood experiences and influencing content creation and marketing strategies. By examining the psychological mechanisms behind nostalgia and its impact on audience engagement, this essay explores how media creators leverage these emotional bonds to foster loyalty, sustain multigenerational appeal, and drive commercial success, while also addressing the potential creative limitations of over-reliance on nostalgic content.
Section One: Origins and Types of Nostalgia in Media
The term 'nostalgia' originates from the Greek words ‘nostos’ (homecoming) and ‘algos’ (suffering) (Sedikides and Wildschut 2018). It represents a bittersweet emotion of longing for the past, combining yearning with a touch of sadness. Coined by Swiss physician Johannes Hofer, nostalgia originally described the distress experienced by Swiss mercenaries serving European monarchs. Hofer viewed it as a "cerebral disease”, caused by vibrations of animal spirits in the brain, with symptoms like obsessive thoughts of home, anxiety, and insomnia (Anspach 1934). Early views considered it a neurological disorder, but by the 19th century, it was linked to depression and melancholia, and in most cases, was thought to require medical intervention (Wildschut et al. 2008).
As psychological theories evolved, figures like Sigmund Freud suggested nostalgia might be tied to unresolved childhood experiences (Jamali 2012). By the mid-20th century, research shifted to view nostalgia as a positive coping mechanism for loneliness or life changes. Today, nostalgia is seen as a complex emotional state that fosters social connectedness and emotional well-being. It intertwines joy and sadness, evoking memories that contribute to one's identity. Nostalgia’s dual nature, both comforting and bittersweet, reminds individuals of their roots and the positive aspects of the past (Yang et al. 2022). It has evolved from a clinical term to a widely accepted emotional experience, celebrated in popular culture and embraced as a natural part of life.
Nostalgia can be categorised into various types, notably personal and historical nostalgia. Personal nostalgia refers to the individual’s longing for their past experiences - memories of childhood, relationships, and formative events that shape their identity (Stern 1992). This type of nostalgia is highly subjective, varying significantly from person to person. It is often triggered by specific stimuli, such as songs or photographs that evoke vivid recollections and emotions.
Historical nostalgia encompasses a broader longing for a collective past, often tied to significant cultural or societal events (Marchegiani and Phau 2010). It reflects a desire to reconnect with historical moments that may not directly relate to one’s personal experiences but still resonate on a communal level. This type of nostalgia can manifest in various ways, from movements that romanticise certain eras to media representations that invoke a longing for ‘simpler times’.
A third type, collective nostalgia, has become increasingly prominent in contemporary discourse, and is most relevant in relation to media and popular culture. It connects individuals through shared memories and experiences, fostering a sense of community among those with similar backgrounds or interests (Wildschut et al. 2014). Television, film, and music often leverage collective nostalgia by reviving past eras, offering audiences comfort and familiarity. This is evident in the resurgence of ‘retro aesthetics’ and the popularity of ‘reboots’, reflecting society's desire to evoke belonging and a shared identity.
In the entertainment industry, nostalgia is a powerful tool that taps into emotional ties to the past, particularly childhood and adolescence. By invoking fond memories of familiar shows, characters, and themes, marketers create comfort and attachment, boosting viewership, merchandise sales, and loyalty. Nostalgia in film and television often appears through reboots, revivals, and iconic cues like theme songs or catchphrases. Streaming platforms like Netflix adopt this strategy by offering classic shows alongside new content, attracting both older audiences and younger viewers interested in past trends. This emotional connection fosters long-term engagement, making nostalgia vital for sustaining audience loyalty.
Psychological attachment to childhood media also plays a significant role in shaping long-term emotional bonds that persist into adulthood. This emotional attachment can be attributed to the brain’s development during childhood: as children process new information, they form strong associative memories, particularly when media is linked to emotional experiences, such as navigating personal challenges, bonding with family members, or simply just enjoying moments of joy and escapism (Suggate and Reese 2012).
The emotional resonance of childhood media strengthens attachment to characters, stories, and fictional worlds. TV shows and films often become more than entertainment, acting as emotional anchors that shape a child's understanding of the world, provide comfort, and create lasting memories (Lemish, 2015). These cherished characters evoke feelings of security and nostalgia well into adulthood, recalling simpler times or significant life moments. Such media experiences intertwine with a child’s developing sense of identity, solidifying their significance over time. This blend of emotional and cognitive development creates a form of ‘emotional imprinting’ that persists into adulthood, helping explain the enduring popularity of franchises like Harry Potter and Disney.
The theory of associative learning supports this, suggesting the brain links media with the emotions it evokes. This process connects mental experiences (such as images or ideas) so that one can trigger the recall of another (Douglas and Holland, 2015). Revisiting childhood media in adulthood can activate emotional memories, allowing individuals to re-experience feelings from their past (Ledoux, 2007). These bonds lead to a lifelong preference for familiar content, offering psychological comfort by recalling memories of innocence, joy, and a simpler world; temporarily providing relief from adult complexities.
In addition to emotional comfort, childhood media often carries symbolic meaning. Characters or narratives that children admire may influence their values, aspirations, and identity development (Snyder and Mares 2021). For example, a child who grows up watching superheroes may internalise messages of bravery and justice, creating a deeper personal connection with these themes that persists into adulthood. Over time, these symbols and stories shape personal narratives, serving as moral or aspirational guides. Similarly, fantasy or animated worlds can help children explore concepts like friendship, perseverance, and even loss, which later resonate with them as adults when they face real-life challenges. This sense of identity, rooted in childhood media, makes revisiting these stories and characters in later life particularly meaningful. It becomes more than just nostalgia; it’s a reflection of self development, the values people hold, and how they continue to apply those lessons in their adult world. Moreover, childhood media often serves as a shared cultural touchstone. Adults can find camaraderie and connection with others who fondly remember the same characters and stories, contributing to a broader cultural continuity that crosses generations. Thus, the attachment to childhood media is not only personal but can also foster social bonds and communal identity, reinforcing its lasting significance in adulthood.
Section Two: Techniques for Creating Nostalgia
Nostalgia has become a powerful tool in modern television, used to forge strong emotional connections between past and present audiences. In today’s media landscape, many TV shows and reboots revive beloved characters, themes, and formats from earlier eras, creating a sense of continuity with the past. This approach taps into viewers’ fond memories, reminding them of simpler times while still offering new layers of meaning and relevance. By exploring familiar storylines, leveraging visual and auditory triggers, and crafting emotionally-driven narratives, these shows reawaken that deep emotional connection, as discussed in the previous chapter. Global marketing campaigns also play a significant role in amplifying this nostalgic appeal, integrating iconic aesthetics and characters to engage a multigenerational audience.
However, using nostalgia as a tool may foster emotional connections and loyalty, but over-reliance on this marketing strategy risks creative stagnation in the television and streaming industries. By continuously revisiting familiar characters, stories, and formats, media creators may inadvertently prioritise profitability over innovation, leading to a market flooded with reboots, remakes, and sequels that offer little new content to audiences.
This chapter will explore how modern TV shows effectively employ nostalgia as a storytelling device, focusing on familiar characters, visual elements, emotional narratives, and strategic marketing campaigns.
One of the most effective ways modern television taps into nostalgia is by reviving beloved characters, storylines, and themes that have long held a place in the hearts of viewers. Reboots and continuations of classic British shows bring back familiar faces and settings that audiences grew up with, often reintroducing them in new, updated formats. This approach allows viewers to reconnect with characters and stories that were once integral to their daily lives while simultaneously introducing these beloved worlds to new generations. In doing so, British television not only fosters nostalgia but also ensures these cultural staples remain relevant.
For instance, the revival of Doctor Who, one of the UK’s most iconic television series, is a prime example of how nostalgia and modern reinvention can seamlessly blend. After its original run from 1963 to 1989, Doctor Who was rebooted in 2005 with updated visual effects and storytelling, but it still retained its core premise - a time-traveller in a blue police box. The reboot brought back beloved characters like the Doctor, who remains central to the show, while also introducing fresh faces, themes, and mondernised story arcs. This balance of the old and new appealed not only to long-time fans of the series but also to younger viewers who had never watched the original run. The show’s iconic elements, such as the TARDIS and the Daleks, evoke nostalgia for older viewers while the updated writing and production values ensure that the show resonates with modern audiences. Of course, there were other aspects that made this reboot successful. One key factor in the reboot’s success was the lack of British sci-fi shows at the time. Doctor Who distinguished itself as one of the few sci-fi programmes accessible to UK audiences without relying on international television, which was largely limited to those with satellite or cable subscriptions.
In terms of visual and auditory triggers of nostalgia, theme songs, visual styles, or even specific locations are used to evoke a sense of familiarity. For Doctor Who, the theme music has remained largely unchanged since the show’s premiere in the 1960s. The instantly recognisable electronic melody, paired with the swirling visual of the time vortex, evokes a powerful sense of nostalgia for long-time fans. Similarly, the image of the TARDIS (the Doctor’s time-traveling machine disguised as a blue police box) serves as a visual anchor for viewers, reminding them of the show’s long history and cultural significance. In fact, the blue police box is now only seen as a Doctor Who motif. In the 1960s, when this programme first debuted, blue police boxes were a common sight across British streets. They served as communication hubs for police officers, who used them to contact their stations, making them a familiar, everyday object for the original audience. Back then, the Doctor’s TARDIS blending in as a simple, mundane police box felt natural and unremarkable to viewers. However, as technology advanced, police boxes disappeared, and today, they are almost entirely absent from modern life. As a result, for contemporary audiences, the blue police box has become synonymous with Doctor Who itself - the once-ordinary object is now so intertwined with the show’s identity that it no longer represents its original purpose, but instead, it immediately evokes the Doctor’s time-traveling adventures. Something that was once a mundane, everyday sight has transformed into a lasting symbol of a beloved cultural phenomenon. This is an example of how collective nostalgia can transform ordinary objects into powerful cultural symbols, reinforcing emotional connections across generations.
More recently (in the last decade), a significant trend in ‘one-off Christmas specials’ has arisen in British television, capitalising on afternoon Christmas broadcasting to evoke warm memories of the past. These specials combine the festive spirit with the chance to revisit beloved characters, often leading to record-breaking viewing figures and widespread fan excitement (BBC 2020). A prime example is Gavin and Stacey, a beloved British sitcom that originally aired from 2007 to 2010. The show, known for its heartwarming and comedic portrayal of family dynamics, returned for a highly anticipated Christmas special in 2019 after a nearly decade-long hiatus. The special was met with overwhelming enthusiasm, becoming one of the most-watched UK television events in years. This special not only revisited characters who had become cherished by the audience but also picked up storylines that had been left unresolved. In doing so, it created a feeling of ‘homecoming’, reuniting viewers with the characters and plotlines they had grown to love. It capitalised on the emotional investment that had been made in the series, offering both nostalgia and closure.
Another example of this is Outnumbered. A popular British sitcom about the chaotic lives of a middle-class family, returned for one-off Christmas specials in 2016 and 2017, years after the show’s original run ended. These specials reunited audiences with the now-older children and the familiar humorous parenting struggles of the Brockman family, evoking nostalgia for fans who had watched the kids grow up on screen. The Christmas episodes blended the warmth of family gatherings with the festive chaos that made Outnumbered so beloved, creating a perfect recipe for nostalgic viewing during the holidays.
The practice of recycling stories, characters, and themes through reboots and spin-offs has also played a crucial role in intensifying nostalgia, offering audiences a sense of continuity and comfort. In the past two decades, global streaming platforms like Netflix, Amazon Prime, and Disney+ have opened the door for cross-cultural nostalgia, with reboots and spin-offs that resonate with both local and international audiences. Familiar stories and established films and TV shows have been ‘recycled’, with modern elements woven into classic narratives. Shows like Friends: The Reunion (US) and The Fresh Prince of Bel-Air remake, ‘Bel-Air’, demonstrate how recycled content can bridge generational divides, capturing the attention of long-time fans while appealing to newer viewers. This resurgence reflects a strategic market appeal: reboots serve as profitable ventures for production companies and streaming services alike, further capitalising on audiences’ emotional ties to past eras.
Beyond simple storytelling, nostalgia-infused reboots and spin-offs often explore themes of identity and belonging. This theme resonates strongly in Disney’s live-action remakes like The Lion King and Beauty and the Beast, where nostalgia is combined with modern storytelling techniques. By introducing greater depth to well-known characters, these adaptations engage new audiences while allowing original fans to explore familiar narratives in an updated context. For example, the 2019 remake of The Lion King provides a deeper, visually immersive experience, with hyper-realistic CGI that reintroduces iconic characters in a more complex emotional landscape. By incorporating subtle themes of personal growth and identity, these remakes appeal to both adults nostalgic for their childhood and younger audiences unfamiliar with the originals. Disney’s strategy illustrates how nostalgia can evolve, allowing audiences to form new attachments to old stories.
In recent years, nostalgia-driven content has expanded, often achieving remarkable success, even without any substantial demand for fresh stories or genres. This trend highlights a shift in the entertainment industry: instead of responding solely to demand for innovative narratives, studios are increasingly tapping into the emotional connections audiences already have with familiar characters and stories. The iCarly reboot is a prime example of this phenomenon. When iCarly was revived in 2021, there was little evidence of widespread demand for another traditional sitcom or even a continuation of this specific show. Yet, it quickly became popular, largely because it reconnected original fans with characters they had grown up with. By bringing back many of the familiar characters, the reboot appealed to millennials and Gen Z viewers who had watched the show in their youth. These fans were less interested in groundbreaking storytelling than in revisiting the comfort and humor of a beloved show, which allowed them to relive memories and reconnect with simpler times (Hecht 2021). As with Disney+ and its catalogue of childhood classics, the success of the iCarly reboot underscores how nostalgia-driven content leverages long-standing emotional bonds, creating audience engagement that is rooted in familiarity rather than a demand for innovation. Nostalgia, in this sense, becomes a powerful currency, tapping into deep-seated feelings that drive viewers to return to stories they already know and love, regardless of whether there’s a genuine demand for new installments or genres.
This leads to the counterargument of whether companies are becoming over-reliant on nostalgia as a marketing strategy. While reboots of shows like iCarly or Fuller House initially capture audience attention, critics argue that this approach hinders creative growth and limits the diversity of stories being told. By continuously revisiting past successes, media companies risk saturating the market with recycled content, leaving little room for fresh, original ideas to thrive. The danger lies in the short-term profitability of nostalgia-driven projects overshadowing the long-term cultural value of innovative storytelling.
Roland Barthes’ theory of The Death of the Author (1967) adds another layer to this debate, suggesting that once a piece of media is released, the audience’s interpretation and connection become more significant than the creator’s original intent. While this can empower viewers to derive personal meaning from nostalgic reboots, it also means that media companies may rely more on audience familiarity with existing properties rather than investing in unique, creator-led visions. This can lead to a cycle where media is produced primarily for mass appeal, limiting the creative risks that can lead to groundbreaking work. For instance, while the iCarly reboot performed well upon release, it lacked the same cultural impact as new, bold series like Euphoria or Squid Game, which explore contemporary issues and resonate widely across global audiences. These examples highlight that, despite the comfort of nostalgia, audiences still crave fresh narratives that reflect current social and cultural landscapes - stories that break away from the past and push creative boundaries forward.
Furthermore, relying on nostalgia can inadvertently alienate younger viewers who lack the same emotional connection to older shows. A reboot's success often hinges on prior attachment to the original material, which may not translate across generational lines. As a result, nostalgia-centric media risks becoming exclusionary, catering primarily to aging demographics rather than cultivating a new, diverse audience. In addition, nostalgia fatigue poses a growing concern. While reboots and revivals may evoke excitement initially, this enthusiasm can wane if audiences perceive them as redundant or lacking innovation. For example, the lukewarm reception of Disney's The Little Mermaid live-action adaptation (2023) suggests that simply recreating beloved stories is no longer enough to captivate audiences (Metacritic 2024), (Fraser 2023). Instead, viewers seek new layers of depth or reinterpretation that enrich familiar narratives.
Nevertheless, while this counterpoint raises valid concerns, it does not negate the significance of nostalgia as a valuable narrative tool when used thoughtfully. Series like Cobra Kai demonstrate that reboots can thrive by blending nostalgic elements with new character arcs and fresh perspectives, striking a balance between honoring the past and evolving the story for modern audiences. Ultimately, the challenge for media creators lies in diversifying content strategies, utilising nostalgia to engage loyal fans while fostering originality to ensure long-term relevance. By doing so, studios can avoid the pitfalls of creative stagnation and continue delivering stories that resonate across generations.
Section Three: Recycling the Past
In contemporary media, particularly on streaming platforms like Netflix, the recycling of familiar narratives, archetypes, and character types has become a key strategy to meet the growing demand for nostalgia. By reimagining established storylines and themes, these platforms not only appeal to audiences seeking familiarity but also provide an opportunity to reinterpret and amplify voices from the past.
The Spanish Netflix original drama Cable Girls follows four young women working at Madrid’s first telephone exchange in 1928, evoking nostalgia for a bygone era. By giving voice to characters often overlooked in traditional historical narratives, the series taps into historical interest while reflecting modern values. Reimagining the past with a focus on underrepresented perspectives allows platforms to attract audiences who appreciate both nostalgia and fresh storytelling. Similarly, shows like The Crown explore historical nostalgia by dramatising the lives of the British royal family. By blending historical events with personal, character-driven storytelling, the show appeals to viewers’ love of intimate, human stories while revisiting iconic moments from the past. As Boym (2001) argues in The Future of Nostalgia, nostalgia can serve as both a reflective and restorative force - allowing audiences to revisit the past while simultaneously reinterpreting it in ways that address contemporary concerns. This duality helps series like The Crown connect deeply with viewers, blending history with modern sensibilities.
Meanwhile, Stranger Things takes a different approach, embedding its story in a 1980s-inspired setting filled with pop-culture references and retro aesthetics. This appeals to viewers who lived through the era while sparking curiosity among younger audiences intrigued by the revival of retro culture. What makes modern nostalgia-focused media stand out is its ability to revisit the past while addressing contemporary themes. Shows like Cable Girls and The Crown use historical settings to explore ideas of social progress, gender equality, and personal freedom, creating stories that feel both familiar and relevant. This balance allows streaming platforms to connect audiences with history in a way that resonates with today’s values. This trend extends beyond drama series to reality TV and documentaries. Programmes like The Toys That Made Us tap into nostalgia by revisiting beloved cultural artifacts and exploring their impact, evoking fond memories while reflecting on how the past shapes identity.
However, the nostalgia of Stranger Things has evoked an odd phenomenon amongst millennial and gen Z viewers. Through its retro aesthetics, iconic music, and cultural references, the show romanticises the decade, sparking a fascination with 80s fashion, technology, and trends. This has driven a resurgence of vintage styles, with Gen Z popularising oversized denim jackets, scrunchies, and chunky trainers across social media platforms like TikTok and Instagram (Balen 2019). The 80s-inspired looks seen on the characters have become reference points for trend cycles, creating a nostalgic yearning for an era many younger viewers never personally experienced.
This now sparks the question as to whether nostalgic media idealises and sanitises the past, presenting a selective version of history that glosses over its complexities. As Boym (2001) highlights, nostalgia can manufacture a sense of collective identity that is more imagined than real. This romanticisation risks reinforcing outdated norms and stereotypes rather than offering critical reflections on the past.
Section Four: Streaming Services and the Commodification of Nostalgia
Streaming platforms like Netflix and Disney+ have become central to the commodification of nostalgia, strategically using past content to attract and retain subscribers. These platforms curate extensive archives of classic shows and films, presenting them alongside modern reboots and sequels designed to rekindle emotional connections with familiar characters and stories. Nostalgia serves as a powerful tool in their marketing arsenal, offering viewers a comforting sense of continuity amid the overwhelming choice of contemporary media.
For example, Disney+ has built its brand around the legacy of its classic animated films, including an entire section dedicated to its iconic ‘Disney Vault’, which was a marketing strategy where Disney would release its classic animated movies for purchase or rental for a limited time, then discontinue them for several years (Hoffman 1997). This created a sense of exclusivity and urgency for consumers to buy the films before they went back into the ‘vault’. With Disney+, this concept has shifted, as the streaming platform now provides permanent access to Disney's catalog, effectively making this hypothetical vault accessible to anyone who chooses to subscribe.
The platform also capitalises on nostalgia through live-action adaptations of beloved titles like The Lion King and Beauty and the Beast, creating renewed interest in stories that shaped childhoods. Similarly, Netflix leverages nostalgia with shows like Stranger Things, which embeds 1980s cultural references, and its catalog of classic sitcoms such as Friends and The Office. These offerings provide comfort and familiarity for older audiences while introducing younger generations to cultural touchstones. A Series of Unfortunate Events has also been revived by Netflix, blending a darkly whimsical aesthetic with its faithful adaptation of the original book series to not only captivate fans of the original books but also fans of the 2004 feature film, as well as new viewers.
By curating content with nostalgic appeal, streaming services create an emotional pull that enhances viewer loyalty. Subscribers often revisit old favorites or engage with new iterations, drawn by the promise of reliving cherished memories. This strategy not only sustains engagement but also fosters multigenerational appeal, as families bond over shared cultural experiences.
Nostalgia-driven marketing campaigns are key to streaming platforms’ success, with high-profile projects like the previously mentioned Friends reunion serving as prime examples. Released by HBO Max in 2021, this special brought together the original cast of the beloved sitcom for a mix of interviews, behind-the-scenes anecdotes, and revisited iconic scenes. The event’s promotion was heavily emphasised by its nostalgic appeal, targeting fans who grew up watching the show during its original run. This is evident in the trailer, using ‘the one we’ve been waiting for’ as a tagline, cleverly referencing the show’s iconic episode naming convention (“The One with…”) (Rotten Tomatoes TV 2021). This phrase instantly resonated with long-time fans, creating a sense of excitement and anticipation while evoking memories of the show’s original charm. The campaign heavily relied on the emotional pull of reuniting the cast and revisiting familiar settings. Just like the many British one-off specials (such as Gavin & Stacey or Outnumbered), and American TV reboots (iCarly, or Fuller House), this emotional marketing strategy not only reignited interest in the series but also drew new subscribers to the platform eager to partake in the cultural moment.
Another effective example is the inclusion of classic cartoons, such as those from Warner Bros. and Nickelodeon, being avaliable on streaming services like Paramount+ and Hulu. These offerings foster a sense of shared nostalgia among those who grew up with these shows. For instance, the resurgence of Rugrats through a CGI reboot alongside its classic episodes ensures that both longtime fans and new audiences are catered to. This dual approach expands the franchise’s reach while maintaining its nostalgic core.
Streaming services also amplify nostalgia through social media campaigns that engage audiences with interactive content. For example, Disney+ has used its social media platforms to highlight classic animated films and series available on the platform, often encouraging fans to revisit their childhood favorites. Campaigns such as "Disney Throwback Thursday" feature clips, trivia, and behind-the-scenes facts about beloved titles like The Lion King, Aladdin, or Lizzie McGuire. These posts are often accompanied by hashtags like #ThrowbackThursday or #DisneyPlusThrowback, inviting fans to share their own nostalgic memories (Instagram 2020). These campaigns foster a community of nostalgia, turning individual memories into collective experiences and strengthening emotional ties to the platform.
Nostalgia-centered marketing has profoundly influenced content creation in the streaming era. Platforms increasingly prioritise reboots, sequels, and spin-offs to capitalise on viewers’ emotional ties to the past. Familiar content reduces financial risk by leveraging established audiences and brand loyalty. For example, Disney+ has produced spin-offs like The Mandalorian and Loki, which expand beloved franchises, while Netflix’s Fuller House updates the 1980s sitcom Full House for modern viewers.
While nostalgia-driven content appeals to audiences, it often comes at the cost of originality, pressuring studios to prioritise proven franchises over innovative ideas. This trend risks homogenising media and stifling creativity (Zhu 2019). Moreover, it shapes audience expectations, blending familiarity with novelty but challenging platforms to balance nostalgia with fresh storytelling. By commodifying nostalgia, streaming services foster audience loyalty and drive growth, yet questions remain about the impact on creativity. Striking a balance between revisiting the past and innovating for the future will be critical for sustaining the industry.
Conclusion
Nostalgia has become a cornerstone of contemporary media, particularly within television and streaming platforms, where its emotional resonance is harnessed to shape audience engagement and marketing strategies. As this essay has explored, nostalgia operates as a psychological mechanism that reconnects individuals with formative media experiences, influencing their consumption patterns into adulthood. It intertwines personal and collective memory, offering a sense of comfort and stability in an ever-changing world. By leveraging familiar narratives, characters, and aesthetics, media creators evoke deep emotional bonds, appealing to both older audiences seeking to relive cherished memories and younger viewers curious about cultural touchstones from the past.
The commodification of nostalgia by streaming platforms like Netflix and Disney+ has demonstrated its profound impact on content creation and marketing. From reboots and spin-offs to visual and auditory triggers, these platforms have successfully fostered audience loyalty by blending familiar elements with modern storytelling. However, this strategy raises critical questions about the creative limitations of nostalgia-driven media. While it ensures commercial success by reducing financial risks, the over-reliance on nostalgia risks stifling innovation and homogenising content.
Ultimately, the enduring appeal of nostalgia reflects its ability to meet emotional and cultural needs, serving as both a reflective tool for individual identity and a restorative force for shared cultural connection. The challenge for the media industry lies in striking a balance between revisiting the past and exploring new, imaginative narratives. By doing so, creators can ensure that nostalgia continues to enrich storytelling without compromising the future of creative innovation.
Bibliography
ANSPACH, Carolyn Kiser. 1934. ‘MEDICAL DISSERTATION on NOSTALGIA by JOHANNES HOFER, 1688’. Bulletin of the Institute of the History of Medicine 2(6), [online], 376–91. Available at: http://www.jstor.org/stable/44437799 [accessed 10 May 2023].
BALEN, Cara. 2019. ‘THE STRANGE CASE of “STRANGER THINGS” NOSTALGIA’. London Runway[online]. Available at: https://londonrunway.co.uk/the-strange-case-of-stranger-things-nostalgia/.
BARTHES, Roland. 1977. The Death of the Author. London: Fontana. Available at: https://sites.tufts.edu/english292b/files/2012/01/Barthes-The-Death-of-the-Author.pdf [accessed 2 Dec 2024].
BBC. 2020. ‘Gavin and Stacey Is Biggest Comedy for 17 Years’. BBC News, 2 Jan [online]. Available at: https://www.bbc.co.uk/news/entertainment-arts-50975665 [accessed 10 Oct 2024].
BOYM, Svetlana. 2001. The Future of Nostalgia. New York: Basic Books.
DAVIS, Fred. 1979. Yearning for Yesterday : A Sociology of Nostalgia. New York: The Free Press.
DOUGLAS, O B and B F HOLLAND. 2015. ‘Associative Learning.’ MacMillan Co eBooks 353–91.
FINKIELKRAUT, Alain . 2005. Nous Autres, Modernes. Editions Ecole Polytechnique.
FRASER, Jordan. 2023. ‘The Real Reasons “the Little Mermaid” 2023 Is Terrible’. Medium [online]. Available at: https://jordanfraser.medium.com/the-real-reasons-the-little-mermaid-2023-is-terrible-b11dbabf7cef.
HECHT, Zoë. 2021. ‘What the “ICarly” Reboot Understands about Its Audience That Other Gen Z Reboots Didn’t’. Her Campus [online]. Available at: https://www.hercampus.com/culture/icarly-reboot-gen-z-audience-disney/ [accessed 8 Nov 2024].
HOFFMAN, Ilene. 1997. ‘Buena Vista Home Entertainment: A Very Lucky Accident Indeed’. Animation World Magazine (2.8), [online]. Available at: https://www.awn.com/mag/issue2.8/2.8pages/2.8hoffmanbvhe.html [accessed 11 Dec 2024].
INSTAGRAM. 2020. ‘Disney+: #TBT to the Most Ambitious Crossover Event in History. ’. Instagram.com [online]. Available at: https://www.instagram.com/disneyplus/p/B7Yxgq5hU65/ [accessed 11 Dec 2024].
JAMALI, Alexandra P. 2012. A History of Reminiscences : Clinical Descriptions of Nostalgia, a History of Reminiscences : Clinical Descriptions of Nostalgia, Psychodynamic Theories of Mourning, and the Confluence of Psychodynamic Theories of Mourning, and the Confluence of Teleology . Masters Thesis. Available at: https://scholarworks.smith.edu/cgi/viewcontent.cgi?article=1992&context=theses#:~:text=This%20belief%20that%2C%20paradoxically%2C%20the,illness%20or%20as%20a%20cure. [accessed 3 Oct 2024].
LEDOUX, Joseph. 2007. ‘Emotional Memory’. Scholarpedia 2(7), 1806.
LEMISH, Dafna. 2015. Children and Media: A Global Perspective. Chichester, West Sussex, England: Wiley Blackwell.
MARCHEGIANI, Christopher and Ian PHAU. 2010. ‘Away from “Unified Nostalgia”: Conceptual Differences of Personal and Historical Nostalgia Appeals in Advertising’. Journal of Promotion Management 16(1-2), 80–95.
METACRITIC. 2024. ‘The Little Mermaid User Reviews’. www.metacritic.com [online]. Available at: https://www.metacritic.com/movie/the-little-mermaid-2023/user-reviews/ [accessed 3 Nov 2024].
ROTTEN TOMATOES TV. 2021. ‘Friends: The Reunion Trailer | Rotten Tomatoes TV’. YouTube. Available at: https://www.youtube.com/watch?v=RasWhgd4vao [accessed 11 Dec 2024].
ROUTLEDGE, Clay. 2015. Nostalgia. Routledge. Available at: https://www.taylorfrancis.com/books/mono/10.4324/9781315669311/nostalgia-clay-routledge [accessed 27 Sep 2024].
SEDIKIDES, Constantine and Tim WILDSCHUT. 2018. ‘Finding Meaning in Nostalgia’. Review of General Psychology 22(1), 48–61.
SNYDER, Maura N. and Marie-Louise MARES. 2021. ‘Preschoolers’ Choices of Television Characters as Sources of Information: Effects of Character Type, Format, and Topic Domain’. Journal of Experimental Child Psychology 203(105034), 105034.
STERN, Barbara B. 1992. ‘Historical and Personal Nostalgia in Advertising Text: The Fin de Siècle Effect’. Journal of Advertising 21(4), 11–22.
SUGGATE, Sebastian and Elaine REESE. 2012. Contemporary Debates in Childhood Education and Development. Milton Park, Abingdon, Oxon ; New York: Routledge.
WAYNE, Michael L. 2021. ‘Netflix Audience Data, Streaming Industry Discourse, and the Emerging Realities of “Popular” Television’. Media, Culture & Society 44(2), [online], 193–209. Available at: https://journals.sagepub.com/doi/full/10.1177/01634437211022723.
WILDSCHUT, Tim et al. 2014. ‘Collective Nostalgia: A Group-Level Emotion That Confers Unique Benefits on the Group.’ Journal of Personality and Social Psychology 107(5), 844–63.
WILDSCHUT, Tim, Constantine SEDIKIDES and Clay ROUTLEDGE. 2008. ‘Nostalgia - from Cowbells to the Meaning of Life - the British Psychological Society’. www.bps.org.uk [online]. Available at: https://www.bps.org.uk/psychologist/nostalgia-cowbells-meaning-life [accessed 3 Oct 2024].
YANG, Ziyan et al. 2022. ‘Patterns of Brain Activity Associated with Nostalgia: A Social-Cognitive Neuroscience Perspective’. Social Cognitive and Affective Neuroscience 17(12).
ZHU, Caroline. 2019. ‘Zhu: Reboot Culture Limits Creativity, Stifles New Voices’. The Observer [online]. Available at: https://observer.case.edu/zhu-reboot-culture-limits-creativity-stifles-new-voices/.
Author: Bethan Radford
Module: FMTV701 Contextual Studies: Screen, Culture & Society
Assessment: Critical Research
Classification: Merit / 64%
Degree: MA Film & Television
Submission: 06 January 2025
Words: 5211